Meet Teaching Artist Mylen Huggins!

Teaching Artists and Classroom Assistants are invaluable members of the Arts Corps community. They contribute their time, energy and creative minds in so many different ways. Without them we would be lost. Each month, we will feature a Teaching Artist or Classroom Assistant from the Arts Corps community, and invite them to share their experiences, sources of inspiration, and thoughts on social justice. Do you have a pad of paper available? Because you’ll want to take notes!

 

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Meet Teaching Artist Mylen Huggins! Mylen Huggins believes that the arts are an essential part of becoming an educated person. She’s a visual artist, an arts advocate, coordinator, collaborator, facilitator, volunteer; her passion to bring more arts into schools resulted in the development of a thriving arts program at a neighborhood Seattle Public School that began in 2009. She’s been teaching visual arts to young learners since her earliest days at Seattle Children’s Museum in 1996. Since then, Mylen has facilitated various art-making workshops and classes from preschool cooperatives, to after-school programs, art camps and currently at elementary schools. Mylen has exhibited paintings in different venues around Seattle. As an artist, she is greatly inspired by and thrives on the super-art powers and creativity that comes from her collaborative work with students.

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What inspired you to become a Teaching Artist? Actually, teaching found me. When my sons were in cooperative preschool, I always volunteered to organize the art activities – making props, creating masks, painting, sculpture, construction, whatever visual sensory activity and tactile projects the teacher needed help with. The best part of the whole experience was being a part of the wonderment and awe that children expressed when they discovered that they have just created art with their own two hands, conceived from their very own self, always blew me away. Or when I helped them realize something has always been there, like the color of shadows, or that objects when looked at from a certain light has a shady side or when they realize that writing their name is a form of drawing, and that all along, they have super artistic powers…it is so inspiring to be a part of that discovery and that building of confidence is for lack of a better expression, AMAZING!

What project(s) are you working on with youth right now? At Southern Heights Elementary School, a K-5 school without art instruction for the past 4 years, I worked with the teachers and principal to develop a curriculum that introduces and explores the fundamental language of visual art. The students learned that there’s not a day without line; that texture is the smoothness of their skin to the rough feel of the rug they sit on for story time, that green can be made by mixing blue and yellow, etc.  Southern Heights students are courageous, they are trying new things, they realize that imagination and creativity is always a part of them.

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In addition to Southern Heights, I am also working with a group of Kindergarten and 1st grade students at Madrona Elementary School. I designed a curriculum around books that are fun, visually engaging, familiar perhaps and hoping that it would generate a visual narrative as a collage, a line drawing, a textured painting, or as a portrait. One of the first books I read to the students was Swimmy by Leo Leoni and then we used stamping inks and markers to create thumbprint fish. One student created three-dimensional eels by accordion folding paper and drawing in eyes, others combined stamping ink and markers to create their fish.  My initial plan was to have the kids glue all their fish into the shape of another big fish, just like the story, but before I made the suggestion, the eel designer exclaimed, “We should make a school of fish!!”  Brilliant, I thought. I ripped a huge sheet of blue paper, laid it out on the floor and handed out scissors and glue sticks and there on the floor was a school of kids creating a school of fish. Collaboration in action!

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What do you feel is most important about the mission and work of Arts Corps? I’ve been an independent teaching artist since 2009, a volunteer art docent since 2003 and advocate for the arts for as long as I can remember. I am a passionate supporter of bringing more art into public schools – a belief that I share with Arts Corps. I am so honored to be a teaching artists for Arts Corps because I am fulfilling what I feel is my civic duty of bringing quality, high art education to school children, especially those who are underserved.

How do you incorporate social justice into your teaching?  Each student contributes to a community agreement that every one has to abide by in order to create a safe, supportive and collaborative environment. At the end of each lesson or session, we take the time to reflect on individual work or group work and provide encouraging and supportive words to make each person feel confident and successful about their work and themselves. I also make sure that the classroom teacher is included in our discussion and activities, the experience that occurs during art lessons is not just for the students, but also for the classroom teachers.

 

To view some of Mylen’s personal artwork, visit her website.

 

*Photographs by Mylen Huggins.

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Each Day Is An Iteration

One of my favorite things about working with students is when my magical arts educator eyes can see the gears in their brains linking and turning. Since working at Orca, I’ve learned a tremendous amount about learning styles, what an interactive and dynamic classroom looks, sounds, and feels like, and how to ask students the right questions to most enrich their learning process.

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The seventh graders at Orca have been learning about storytelling as it relates to Native Americans- both by them and about them. Keeping both storytelling and learning processes in mind, I helped develop a Native American Unit Project. Seeing it come alive through students’ imaginations has been a rewarding process for me. As a graphic design major in college, I learned the importance of creating several drafts, going through critique, and reworking my ideas accordingly. Since working with Nate Herth and Donte Felder, I have learned a great deal about the importance of a similar idea in education: “iterations” in the learning process. Each Tuesday and Thursday is a chance for me to see students struggle and start over, create and make mistakes, imagine and build. I see the gears of creativity churning, connecting, and pushing each other forward.

I am often asked how art teaches critical thinking, risk taking, or persistence. Perhaps persistence is the most obvious: one must play scales in all keys to master the jazz number, sketch in numerous notebooks to see doodles transform into drawings, or start daily free writing for years before a poetry slam or open mic.

Critical Thinking and Risk Taking are harder to explain. My seventh graders, however, have shown me myriad examples:

photo 2One girl wrote a song in English and Lushootseed, (yes, spent time learning the Salish language!) and had the courage to get up in front of 25 of her peers and sing it. During the “critique” time, one of her peers told her directly, “I thought you were brave to get up there to sing, and you did something no one else did.” Performance and presentation aside, each and every seventh grader took a risk the moment they started brainstorming for the project. They risked letting their brain go to new places; some risked collaborating with their classmates, they risked putting their ideas- a piece of themselves- on paper, fabric, cardboard, and film, visible to all.

Critical Thinking takes place in the creative process when students decide what could have happened if Christopher Columbus hadn’t robbed Native Americans of their resources. I recently told my students that I didn’t understand until college that “critical thinking” means considering the information you are given and automatically asking “why?” or questioning certain language that may subliminally elicit certain thoughts. I remember being in 5th grade and wondering, “does critical thinking just mean to think harder?  Does that mean criticize what they are telling me? But, I’m not supposed to go against what adults say!”  A visual and photo 3writing project that tells a well-known story from a different perspective – and imagines what could have been- is a perfect example ofcritical thinking through art.

I am so proud of the seventh graders for their persistence, hard work, and professionalism during the Native American stories unit. As the school year progresses and I continue to work with the middle-schoolers at Orca, I will see them as inspiration to imagine and build the kind of relationships that foster inquisitive conversations, risk my teacher ego by asking courageous questions, and persist through criticism to make opportunities for creative learning.

Each day is an iteration.

By: Elizabeth Farmer

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CSI Artist-in-Service: Amy Pinon

“Music is the art of thinking with sounds.”  – Jules Combarieu

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I am a recent graduate of The Art Institute of Seattle with a Bachelor of Science Degree in Audio Design Technology. Which is a fancy way of saying that I’ve invested a lot of time learning about the technical applications of music and sound! I am a vocalist, audio engineer, and educator. I write and perform acoustic music with my musical partner in crime, and together we form a band called I’m with Amy.

Toward the end of my time in college, I realized that I had a passion for education and I merged my love for audio with teaching by developing an audio curriculum for my Senior Portfolio. I have since taken an arts-integration approach to audio production – a personal commitment to addressing the lack of technical arts education available for young people and a nod to the opportunities I had before college to discover the world of audio production in the first place.

Our ability to learn new skills relies on the availability of programs and the support of experienced professionals to teach us. I realize I have had many teachers in my life that have gone out of their way to help me in some way. Be it a small action or a large undertaking, it is always a gesture I appreciate and would like to pay forward in my own endeavors. With a commitment to such investments in young people, we not only foster a positive creative environment, but also allow an up-and-coming generation to become more socially and civically responsible.

Music has always been the most powerful force in my life, and as such, I use it to express, create, and innovate everyday. My true passion in life is to help the next generation of aspiring young artists and engineers realize their potential through the creative processes of arts and music. I am humbled to serve as a Creative Schools Artist-in-Service at Madrona K-8 to highlight the importance of my art form in the school.

-AMY LP

 

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Art as a Voice for Social Change.

Approaching Amazing Art is the title to a brand new curriculum being tested at Cleveland HS. Its a humanities curriculum that explores the power of art in Social Movements.  As teaching artists at Cleveland we’ve been invited to help deepen the curriculum.

Culminating the unit each student will complete the following project:
1. Create a work of art that has a message or makes a difference.
2. Make a video documenting the experience of envisioning, designing, creating, and performing or displaying the piece,
3. Write an artist statement to accompany the piece.”

A group of students have stepped up to help create an gallery event for their fellow students to show their work at school and in the community. They are passionate about sharing their ideas and opinions and we are excited to help them make it possible!

In preparation of their curriculum that is beginning in May we’re bringing them workshops of various mediums. Starting with Collage this week, we invited students to piece together images and words to create a message they are passionate about.

 

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It was exhilarating to watch students approach the art table with apprehension and self doubt and leave the table with a fully assembled piece confronting real social issues. Each student posted their work in the hallway with a statement explaining what they wished to communicate through this medium.

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A hallway passerby will notice powerful social issues being challenged with powerful images, such as ageism, racism paired with sexism, environmentalism, our dependency on technology and much more. The images are chilling and moving.

 

It was a honor to be in a room with such bold thinkers and daring risk takers!

More Pictures will be posted soon. Stay in Touch!

 

Thank you,

Jaala Smith

 

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Aki Believes in Peace.

Aki Kurose Middle School students have been preparing to represent their values loud and proud at this years Martin Luther King, Jr march.

During lunch Aki student’s have been writing powerful belief statements inspired by the murals that cover their hallways. These belief statements generated the statements written on the signs they’ll use to march with. During lunch they’ve also managed to fold almost 300 peace cranes. These cranes will fly in the air, attached to their signs and will be handed out to other participants and spectators along the route of the march.


The morning of Martin Luther King Day 14 Aki students will gather at school while others are at home sleeping in. They’ll have an opportunity to watch the infamous MLK speech and discuss the connections between his values and the values of their peers. We’ll then join the MLK Day Ralley at Garfield High School and March with our Aki Kurose signs held high! Students who participate on this Monday off will create the curriculum for their next all school curriculum day, in which they’ll focus on hopes and dreams for the future.

Aki Kurose students believe in Freedom.
Aki Kurose students believe in Respect.
Aki Kurose students believe in Peace.

Stay tuned for pictures of the March and words from the students.

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Bring on the Funk…Power of Words at the Northwest African American Museum

This blog was written by guest contributor Stephanie Johnson-Toliver, Program Director of the Northwest African American Museum’s Dr. Carver Gayton Youth Curator Program (pictured below second from the right). 

Daemond Arrindell and Arts Corps are totally hip in the opinion of the Northwest African American Museum 2012 Youth Curators…count me in too.  The Dr. Carver Gayton Youth Curator Program at NAAM is a community outreach program targeting teens age 14-18yrs old.  Teens join a team for twelve 2-hour sessions to explore museum philosophy and develop their creative abilities as they complete a themed project that coincides with a current gallery exhibition.

The 2012 project and exhibition, First Impressions – Inner Expressions was all about self-awareness and articulating the discoveries. Daemond led the Youth Curators in a series of exercises, inspired by the exhibition Xenobia Bailey: The Aesthetics of Funk.  Throughout this process, creative writing skills and individual expression evolved into the power of spoken words…heartfelt, questioning, passionate and humorous…all encouraged by Daemond.


The Youth Curators presented their exhibition and poetry to a full house on April 7th.  In the crowd was Kathleen Flenniken, WA State Poet Laureate, who called their poetry “gold”.  Kathleen supports young poets and has already posted two of the poems to her blog, The Far Field with more to follow.  Youth In Focus, captured photo portraits of each Youth Curator for the gallery exhibition, thank you Sherry Loeser with student photographers, Duyen and Jennifer.

You can check out this fabulous exhibit that attributes much of the success to Daemond with support of Arts Corps; I look forward to a long and lasting friendship with both.  The First Impressions – Inner Expressions exhibition is on view through Summer, 2012. Visit the NAAM website for hours and events (www.naamnw.org).

A huge thanks to all at Arts Corps…your fan for life,

Stephanie

 

Stephanie Johnson-Toliver, Program Director

NAAM Dr. Carver Gayton Youth Curator Program

 

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