Black Art-ivist

Once again the country has shown it’s behind and we are in another state of chaos.
Youth from around town have been asking me “Donté what do I do as a new community organizer and artist in this time of deep pain”
I wanted to say “Take the streets, block the roads, make them hear us, let everybody know that we have been crying and afraid and ashamed for too long and its enough its BEEN enough”. But I couldn’t even answer back, I thought about the question so intentionally but I was like as an artist and activist living with depression and anxiety I don’t feel safe enough to be in the streets and protest even though I feel like I should be there and I had to meditate on what is my role in this movement? I had to remember that activism doesn’t look any one way. It takes multiple different approaches and actions and kinds of things that adds to a movement including taking care of the people in the movement which I feel like can be my role reminding folks to take care and to hold space for all the black folks who are actively hurting every day watching the full out attack on our people.
There are artistic video projects in the works, and more and more folks feeling the call to action. Figuring out the many ways we can be vocal about our needs, below is my first step into how I do activism:

 

 

A List Poem for the way my body reacts to the death of Black People

  1. Freeze, Eye lids fading, Eye lashes tickle eye brows in an attempt to feel anything besides melting

  2. Mouth and throat going Sahara as your eyes lose focus on tracking motion

  3. You feel the burn of a solar eclipse passing in your throat

  4. Freeze, and you do, the word seems to rattle in your head till the tinnitus  sounds just like the last phone call you made to your mother

  5. Freeze, and they did until they spilled,

    watch the blood pool in the dark of every unlit street

    visualize how they cleaned them off the floor

    read facebook till you cry

    read articles till you cry

    Pick corners for you to die

    I wear all black most days because I don’t know when I’m gonna go

    But Capricorns anticipate everything, so I wear my face like a veil, wear my skin like a red delicious dress at a funeral, the crisp bite into death as flames fuck my flesh into ash

  6. Count breaths,

    Like loose change

    in attempt, to regulate breathing

    Asthma, holding Fourth of July in your lungs

    Another Black body,

    Evaporating into social media rants and swept under consumerism and white supremacy

  7. Freeze, that’s what they screamed, trying to mask murder with lies,

    Tryna mask murder with mock justice and Christmas carols

    Freeze, because everyone knows it’s easier to hit a target when it don’t move

    You have read another article about a Black body turning sunset

    You feel the light fading from their mothers eyes, it feels like a heart coming to a halt

    You haven’t moved in hours as if you were obeying the law, as if they had already killed you

  8. You find comfort in knowing that if you were dead you wouldn’t have to watch them kill your family

  9. Your mouth begins to thaw, you feel the heat of carbon dioxide between your teeth, your teeth dance like a tambourine in full explosion you can barely make a sound but the only thing you say is

  10. If all lives matter, then why aren’t you dying-

    To save me.

-Donté Johnson, Teen Artist Program Co-Coordinator

Read More

Stepping Into My Power

This story was written by Henry Luke, Arts Corps alumni and Youth Speaks Seattle coordinator.  Youth Speaks Seattle became a program of Arts Corps in 2011. This article was originally published in Arts Corps’ latest magazine and annual report which can be found here.  

In 2008, I walked into my first poetry slam. I had never been to any event featuring spoken word. When I heard the word poetry, I thought of dead white men like Shakespeare and Robert Frost. I never expected to enjoy poetry, let alone perform it.

Henry at the 2011 Grand Slam Finals. Photo by Kari Champoux

When I arrived, people were laughing, dancing, and freestyling. I wanted to know them! Itwas an atmosphere of spontaneous energy and emotion that I had never experienced before. At the time, very little felt sacred in my life, but when the poets began performing I felt a kind of reverence for the power of their words. The audience clapped and snapped their fingers, gasped and shouted, even cried. I was moved by the power of a poem to pull me into a story, make me feel so many emotions in a few minutes. I had never seen anyone declare themselves like that, to get onstage with nothing but their story and say “This is who I am! This is what I believe in!” I saw nothing ironic or self-conscious in their celebration of life and love. Each word was a piece of their truth.

My introduction to Youth Speaks Seattle coincided with a massive change in my worldview: I realized I was a part of many massive and unjust systems that disconnect and silence people I know and love. At the same time, I came to see myself as a fragment of something even larger, an interconnected universe filled with meaning and mystery. Poetry became the piece that tied everything together: when writing, I never had to compartmentalize the personal and the political. Performance gave a sensation of release, speaking my stories into existence made them that much more real.

At Brave New Voices International Poetry Slam (the national Youth Speaks gathering), I met poets from Philadelphia, Honolulu, San Francisco, New York, and Guam. I sat twenty feet from Bobby Seale as he spoke about the founding of the Black Panthers and compared it to the work Youth Speaks does today. I have realized spoken word is not just an art form. It is a movement. There are young people across the world speaking their truth and creating spaces where that is safe to do. We are storytellers of our generation.

Today when I hear the word poetry, I think of my friends, I think of myself. And my journey continues in my new position at Arts Corps as the Youth Speaks Seattle Coordinator.

I am honored to hold space for other young people across Seattle to express themselves and step into their power, whatever form that takes.

Youth Speaks Seattle’s 2012 Slam Series Info:
Feb 10, 7pm @ Harambee: 316 South 3rd St, Renton
 
Mar 2, 7pm @ Theater Off Jackson: 409 7th Ave South, Seattle
Stay Tuned for Details on the Wild Card Slam and Grand Slam Finals here!

 

Read More