Sponsor Spotlight: Hoxie Huggins Construction

Two men smiling lean against a wooden counter with a sign reading "Hoxie Huggins Construction"
Chris Huggins and Rob Hoxie, founders of Hoxie Huggins Construction.

At Arts Corps, it is a deeply held belief that together we can do better.

This is one value shared by our longtime sponsor, Hoxie Huggins Construction. A premier builder of unique, custom architectural homes in the region, Hoxie Huggins creates their best work by collaborating with talented designers, fabricators, engineers, makers and craftspeople in the area and beyond.
 
Every team of collaborators is tailored to the need of the owner and the design priorities. This is because each individual project represents individual set of needs and challenges which require unique approaches. Such work prompts those involved to think and excel in new and different ways every time.
 
Chris Huggins, one of the company’s founders, shared with me how this creates a need for “creative, engaged, empowered and enthusiastic folks,” a clear connection he sees between his company and Arts Corps.

“At times the work seems technical and systematic, but the success is not always due to a masterly of a trade, but the way in which teams can work together in a collaborative and mutually successful way. We feel like we can always teach the technical, but we depend on a baseline level of creative and critical thinking – which Arts Corps clearly is helping to build in our community.”
 
The recognition of the importance of these skills originates from the founders’ own arts educations. Both Rob Hoxie and Chris hold fine arts degree and have a first-hand understanding that there is no clear linear path to career success. Chris described his own arts education as critical to his development as a young person. Born into a family of artists and makers, Chris feels fortunate to have had their lessons and a creative community available to him since an early age.

“The broad range of experiences, successes and failures all helped build a critical way of looking at things and being creative and open-minded and then empowered to confidently find a means to any end.”
 
Hoxie Huggins is aware that not every student has access to the resources which make these types of experiences possible, and that schools face continuous challenges for providing arts education in underserved communities. Moved to do their part in addressing these social and economic challenges, Hoxie Huggins takes the same approach as with the design and construction of the homes they build, which invests in collaboration and processes responsive to the needs of those they serve.

Through their partnership, Hoxie Huggins supports Arts Corps in working towards a world where barriers to arts education no longer exist.
 
“We feel fortunate that we are able to share and know that what we do share is having and meaningful impact in the lives of youth,” Chris tells. “We know that Arts Corps understands how important and powerful creative empowerment can be in building a foundation for youth to stand proud and prosper.”
 
Thank you, Hoxie Huggins, for doing better, together with us!

— GRECIA LEAL PARDO, Development & Communications Coordinator

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Sponsor Spotlight: Swenson Say Fagét

The Swenson Say Fagét logo over the different members of the firm.

This year, Swenson Say Fagét joined the Arts Corps community as our newest Festa sponsor! A structural engineering firm with offices in Seattle, Tacoma, and Ellensburg, Swenson Say Fagét’s work focuses on designing systems within buildings and art pieces to ensure that these remain standing even when tested by people, snow, wind, or earthquakes. 

Upon learning about it, this work felt unexpectedly resonant. What is arts education if not structural support for young people? The creativity, critical thinking, sense of connection, and deepened belief in one’s abilities fostered by Arts Corps programs are all necessary assets, helping students persevere when faced with challenges and inclement climates. Moving beyond metaphor, Swenson Say Fagét highlights the importance of arts integration, since it is both math and drawing which helps to create and communicate structural system designs.

Brett Mozden, a principal engineer at the Seattle office, shared with us the impact of art education in his career. Although he did not feel like an artistic person growing up, his father kept him motivated to keep trying. In college, Mozden took architecture classes and learned much more about sketching and drawing. These skills have been very useful to him as a structural engineer, and he recommends them for anyone in the profession. Mozden reflects, “I don’t think I would be where I am today without the art programs available as a child and in college for someone like me that wasn’t naturally artistic but always had a desire to get better.” 

Like Arts Corps, Swenson Say Fagét also understands the value of community. Internally, the office culture prioritizes the comfortability of its members, allowing everyone to actually enjoy what they do so that they can be better collaborators. This culture is Mozden’s favorite thing about the work: “It’s very respectful of people as people.” 

Externally, the firm feels connected to the city. The Seattle office has been housed in Belltown for years and many of the company members have grown up in the city itself. This means the firm has witnessed the many changes Seattle has experienced over the last 10 years and employees such as Mozden recognize the disruption specific communities have faced. This is why Swenson Say Fagét likes to partner with organizations around town, such as Food Lifeline, the BLOCK Project, and now Arts Corps to make a positive impact. 

Mozden says, “We are always looking to connect with ways to help make our city a better place. We feel Arts Corps is a great way for us to help encourage the young artists in the city to express themselves and make the environment in Seattle a better place through their passions in art.”  

Arts Corps is grateful for our partnership with Swenson Say Fagét, who helps us support our city and our young people for a lasting, brighter future!  

— GRECIA LEAL PARDO, Development & Communications Coordinator

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Sponsor Spotlight: True North Gear

The True North Gear team at an Earth Day clean-up event earlier this year.

Why would a company that designs and sells protective fire gear sponsor Arts Corps year after year? The short answer is that they deeply value creativity, imagination, and risk-taking; core skills that Arts Corps cultivates in students through our arts integration and out-of-school time programs.
 
True North Gear’s origin story speaks to how intrinsic these values are in the company’s DNA. With a sewing machine from Goodwill and an idea for a new type of pack he wanted to create based on his outdoor experience, founder Alyx Fier launched his company in 1992 out of his garage. While working full-time as a carpenter, he spent six months teaching himself pack design, patterning, and prototyping on nights and weekends. With time and persistence and innovation, he was able to design and sew his own designs.
 
Fast forward 29 years and True North Gear is a multi-brand corporation with a global reach whose products save lives. As Fier proudly describes it: “Everything we make is either used to protect the life of the person using it, or they are using it to protect someone else’s life. That is so consequential and intrinsically meaningful.”

Their products range from chainsaw packs to radio harnesses to flame-resistant pants, and they have dealers across the Pacific Northwest and Canada. Even with their growth, they continue to be a family-owned company, located on Martin Luther King Jr. Way S, just a few miles from the garage where it all began.
 
When asked if arts education influenced his development as a young person, Fier unequivocally associated it with his success in business. He shared, “I’m living proof that studying and being engaged in the creative process as a student can provide the foundation for an intellectually and financially rewarding life. My college education focused on film, theater, music and audio engineering, none of which would seem obvious choices as a precursor to a successful business career as opposed to getting an MBA.”

Fier continues: “The common denominator of my studies is that they all involved the creative process and what I learned is understanding and appreciating that failure is an intrinsic and important part of success. Knowing that emboldened me to risk taking. You have an idea, you try it, it doesn’t work the way you expected, you learn from that experience and apply it to the next attempt. It’s only failure if you don’t learn anything and don’t then try again. Fear of ‘failure’ is what holds most people back from actually being successful.”
 
Arts Corps is so grateful to have corporate partners like True North Gear who value the importance of cultivating creativity, imagination, and risk-taking among youth. Thank you, True North Gear!

— CHRISTA MAZZONE PALMBERG, Development Manager

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Sponsor Spotlight: Mahlum Architects

Mahlum Architects Staff

For those in the design community, it comes as no surprise that Arts Corps’ longest-running Festa sponsor is an architecture firm. Mahlum, a Seattle architecture firm established in 1938, has supported Arts Corps consistently since 2008. The value of arts education is not lost on those who spend their days designing built environments that foster a sense of safety, connection, and curiosity — the very same outcomes that Arts Corps’ teaching artists work to achieve with students in the classroom!

I recently had the opportunity to speak with Anne Schopf, a partner at Mahlum and longtime Arts Corps supporter. Drawing the connection between Mahlum’s work and Arts Corps’ mission, Anne described that arts education was profoundly formative for both her and her colleagues. She reflected: “I can’t imagine not having it. Many of us are all so committed to understanding art itself. If not art, what are we living for? We [Arts Corps and Mahlum] care about the same things. We’re just doing it in different ways.”

Equity and community are two values shared by Mahlum and Arts Corps, and a specific way that they play out at Mahlum is in the firm’s design process. They try to center those who don’t have a voice at the table, honoring the culture and traditions of the primary occupants of the space. For example, in preparation for the design of a new hospital in Nome, Alaska, Mahlum’s design team visited with elders, students, healthcare staff, and local villages to gain a deeper understanding of the values and challenges facing the region’s people. This practice integrated Nome’s rich local culture with the hospital’s ultimate design.

It was clear from my conversation with Anne that curiosity is a core component of an architect’s job. When asked what her favorite thing about working at Mahlum was, Anne responded, “I get to learn something new every day. Right now, I’m learning about autism. How wonderful is that? I get to learn about new ideas that I don’t touch, but I’m learning through the work we’re touching.”

This passion for learning is exactly what we work to nurture through our arts education programming at Arts Corps. My conversation with Anne clarified that we at Arts Corps share a commitment to spaces that cultivate learning and creativity with our friends at Mahlum.

We’re immensely grateful for their partnership!

— CHRISTA MAZZONE PALMBERG, Development Manager

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Sponsor Spotlight: Bill & Melinda Gates Foundation Discovery Center

Deborah Sepulveda

For the past several years, the Bill & Melinda Gates Foundation Discovery Center has supported Arts Corps as a sponsor for our annual Festa event. The Discovery Center is a free public space that takes visitors of all ages on an interactive journey, bringing the connections we share with others across the globe to life. 
 
With a vision to educate, inspire, and motivate people to take action through storytelling, the Discovery Center is a key partner in Arts Corps’ work to revolutionize arts education by igniting the creative power of young people. In the words of Deborah Sepulveda, the Discovery Center’s Manager of Youth & Public Programs and long-time Arts Corps partner: “We believe our programs amplify powerful stories of our local community in order to foster inclusion and belonging, convene and connect people, share unheard stories, and highlight opportunities to act.”
 
Despite having to close its physical doors last spring, the Discovery Center has continued to provide powerful programming. Last March they kicked off a series of free, virtual lunchtime events called In Community We Flourish that highlight community organizations creating change every day. The upcoming series will be in partnership with the South Seattle Emerald and Civic Commons.
 
The Discovery Center shares Arts Corps’ commitment to youth leadership and prioritizing youth voice. Every year, the center hosts the annual Teen Action Fair, which provides youth with a platform to tell their stories of making a difference. As Deborah sees it, “Youth want to be involved, taken seriously and deserve to be heard. Young people have led the charge on some of the biggest shifts in social change and justice throughout history and we continue to learn from their ideas to change the world… take the time to listen to their questions, ideas and feedback and we will definitely have a better world.”
 
Arts Corps is grateful to have partners like Deborah and the Bill & Melinda Gates Foundation Discovery Center working with us to cultivate youth creativity and leadership. Their sponsorship helps bring us one step closer to our vision of a world where barriers to arts education no longer exist and all young people can creatively lead the transformation of schools, neighborhoods, and beyond.

— CHRISTA MAZZONE PALMBERG, Development Manager

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I’m still learning with Arts Corps everyday

Image taken at Youngstown Cultural Arts Center Thursday, May 17, 2007 at Seattle.
Amy and Cham in the studio for Arts Corps’ All Access Music Production, at Youngstown Cultural Arts Center, 2007

Amy Piñon is currently the Media & Communications Manager at Arts Corps – but she started her career as a student 10 years ago… and now she is on the RISE as an artist and community leader.

I wouldn’t know who I am without Arts Corps – speaking not just as a former student, but as a staff member, a teaching artist, and a person still growing into my fullest potential.

The first time I recorded my own song in a studio was here, at Youngstown Cultural Arts Center, when I was 16. I came to the studio to learn how to record my own music, and came away with even more – a newfound passion for audio engineering. The All Access program, which allowed high school students from around King County to come together to learn about music production was the official beginning of my arts career.

In fact, it was my only access to this kind of technical arts learning.  

It was not until years later when I was in college for audio engineering, thinking back on the initial experiences that led me to pursue audio, that I found out that All Access was an Arts Corps program, and that unfortunately All Access no longer existed. This was an important moment, because as I was struggling to find meaning in a white male dominated field, and navigating my options and prospects for succeeding in that world, I felt extremely stuck. Was audio production really the path for me? The answer was yes, of course, with a compromise. If I was going to finish school, I wasn’t going to follow the status quo. I didn’t see myself working in a studio; I saw myself… working with young people.

Amy crouching on the ground holding a camera, ready to take a photo
Amy documenting Summer ALLI, 2017

I was inspired and DETERMINED, to use my audio education to develop my own youth audio curriculum, which, to the unexpected delight of the entire audio department, became my senior portfolio project.

I came (back) to Arts Corps shortly after graduating, as an AmeriCorps Artist-in-Service, working on the pilot Seattle Creative Schools Initiative at Madrona K-8. It was a tumultuous and eye-opening year of learning about how social inequities are perpetuated within the school system and what it means to be a teaching artist.

As my term approached its end, and I nervously considered what I could do next, I was offered a position on staff as Documentation Coordinator. And over the past three years, that has shaped into my role here today, as Media & Communications Manager.

My favorite part about my role here is capturing the stories of young people in the programs. Whether that’s through a photograph of a high-energy performance, or a video showing a students’ process and progress throughout the course of a program, there is nothing that connects me more to the work than connecting with the young people themselves.

The first photos I took for Arts Corps were terrible. I really had no idea what I was doing, just that I was really passionate about doing it. So my photos became better. The videos I’ve produced are pieces that I’m super proud of. As I gradually taught myself and practiced my media artistry, I have proven to myself that by fostering a growth mindset, I can learn anything I’m passionate about pursuing, and that’s exactly the mindset I embrace with the young people I work with.

teachinglivesound
Amy Teaching live sound at The Vera Project with Rain City Rock Camp, 2015

Growing up at Arts Corps over the last four years, I’ve expanded my skills in audio engineering to other media industries and have accomplished so many other ventures in the creative world, which include producing and teaching an array of audio education programs for all ages, including Blanket Fort Films, Reel Grrls, RadioActive, Magnuson Park Radio, and The Vera Project, where I now serve as the Board President (aka Big Boss). I graduated from Teaching Artist Training Lab to solidify my curriculum development skills. I taught myself how to play the ukulele and then taught classes. I have continued to nurture my vocal sound and songwriting. I created the Womxn’s Creative Industries Meet Up which is a space for intergenerational resource-sharing between media makers, centered on young womxn of color.

As my path has taken many unexpected yet wonderful turns, there is no doubt that Arts Corps has been, and continues to be, the platform from which nearly all of my creative endeavors have originated. Arts Corps has not just been about accessing arts education, or any artistic skill in particular – it has been about building confidence in my leadership, gaining lifelong mentors, becoming part of a community, and realizing my creative power as a young person to adulthood – to come full circle as a student, teaching artist, staff member, and rising community leader.

And I’m still learning with Arts Corps everyday.

 

Amy Piñon (Amy Lp) is a multimedia artist and Media & Communications Manager at Arts Corps. You can catch her photos in many of Arts Corps’ publications, and her videos on Arts Corps’ Youtube channel.

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