LIT: Why I Came Back as a Class Assistant

 

I come from a high school that specializes in helping students to become self-reliant and learn skills through the student’s interests. This is often done by having students search for internships or be an apprentice. When I was a freshman in October of 2018 I had a vague interest in game development and was short on opportunities. 

One day my advisor Steve announced a new opportunity being offered to Big Picture Students. He told us it was an arts program that taught audio, story writing, and virtual reality development. That last one felt like a wild card. I didn’t know much about virtual reality beyond a few brief appearances in online videos or tucked away in some corner of an arcade. No matter where I saw it, it always seemed out of reach like watching an owl perched on a tree. The fact that it was offered to youth out of all people in this high school made it feel like a one-time calling. But because of my lack of experience, I hesitated to raise my hand when Steve was handing out the tour sign-up sheets. I’m not sure what took me so long to finally raise my hand, but it would change my life forever.

Arts Corps is an arts education organization whose mission is to break educational boundaries and allow youth creative minds to use their art to influence the world through various programs. I joined the first LIT program in January of 2019. LIT specialized in teaching students how to use audio software, film equipment, and virtual reality tools to make their art with the help of specialized teaching artists. It was the first year of the program so some things fell a little off track sometimes, but overall it felt like an artist’s journey. It felt like the program was growing alongside you making it; it felt less like a training course and more like it was your program. 

Each session, we’d have morning check-ins, and even though we didn’t always have much to say it helped establish great community vibes. I loved when we went into the larger parts of Seattle on our trips to art studios. Even though meeting people who work in the careers you see yourself in the future is always a motivating feeling, traversing the streets and buses made it feel like the kind of stories you’d tell your grandkids when talking about your career. I don’t get to be on foot in the bigger parts of Seattle that often so that’s what probably amplified the experience for me.

The first major VR project I worked on when joining LIT was a simple exploration experience where you could move across dream-like worlds, which is my way of saying nothing made sense or followed a theme. It was mostly me trying to get my footing with the technology but it helped that VR is totally badass.

The greatest memory I have of the program was the final presentation of my first year. I wasn’t too confident in my weird VR project. It was also a way later time to present than I was used to so I was ready to go to sleep. To make matters worse we had a lot of trouble getting our showcase equipment set up like finding out who’s headset even belonged to someone. We cycled through students each presenting what we’ve been working on for the past six months. 

When my turn came I felt a strange calmness and pride flow in. Suddenly my project didn’t seem like a failure and I started to see with the smiles of the attendees that it was a success. Whereas once, I was some lonely kid in a computer lab, now was able to work on something most people don’t even know exists. It helped that the presentation room was literally a theater, the whole thing felt like a triumphant cinematic moment on film with lights shining on us. 

I’m one of those people that beats themselves up a lot, but I always seek to improve myself. This was the first time in my life I felt like I’d made it. It started off a long chain of future successes and I realized that I could be an artist if I tried. Since then I’ve only felt my progress of self-discovery moving further.

Arts Corps has helped me find what being an artist can mean and the joy it can bring to people. They helped me get my first taste of what it’d be like to pursue my passions professionally. And it’s given me hope that more and more youth have access to their resources so the world doesn’t miss out on the creations of a young person’s mind before their creativity is limited through adulthood struggles. 

I feel the least I can do is help out Arts Corps the best I can as a classroom assistant so that when I eventually become ready to join the games industry I will have helped make the Arts Corps better for youth than when I first joined LIT. So now I’m helping the LIT team with an upcoming week-long intensive. From April 12th – 16th we’ll be helping students from grades 10-12 learn about using immersive technology for storytelling and game development. Applications are due March 19, 2021. Apply here. 

— FABIAN HERNANDEZ-ANGEL, Classroom Assistant LIT 2021

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Una Nota de Windsor Heights


Realizar un programa para después de la escuela es muy gratificante cuando uno tiene la oportunidad de trabajar con  los chicos en persona, tengo haciendo este trabajo durante casi 20 años y nunca nos habíamos enfrentado a una situación como la que estamos viviendo ahora debido esta pandemia. Una parte importante de nuestro programa son nuestro colegas de otras agencias que nos ayudan a proporcionar diferentes actividades durante nuestro programa. Uno de nuestros grandes colegas es
Arts Corps, normalmente ellos vendrían a nuestro sitio a realizar sus diferentes actividades, pero como lo mencione anteriormente ahora tenemos que adaptarnos a esta nueva realidad. Cuando la directora de programas me hablo de una actividad que se llevaría a cabo en nuestro sitio donde viven las familias, mi primera reacción fue escéptica, los maestros del arte vendrían a hacer dos presentaciones para los estudiantes y sus familias. Honestamente no pensé que esto funcionaria debido a que teníamos que tener en consideración toda la logística para llevar a cabo dicha actividad.  Además, que no estaba segura de que tanto las familias participarían.


Fue  muy grato darme cuenta de que estaba equivocada,  las dos actividades que los maestros presentaron, no solo fueron hermosas, sino que además trajeron a las familias mucha alegría. Fue maravilloso ver a los chicos asomándose a la ventana, cantando, bailando, tomando fotos y videos y disfrutando de las canciones que una de la maestra presento. La actividad de la segunda semana fue increíble ya que estaba relacionada con la cultura de las familias con las cuales trabajamos, yo pude inmediatamente darme cuenta de que ofrecerles algo culturalmente relevante para ellos es muy importante.  Mi corazón se alegro mucho al ver a los padres bailando en su balcón y a los chicos salir de su apartamento a bailar. En estos momentos de angustia y soledad poder proporcionar un poco de alegría a las familias es maravilloso. 

Gracias Arts Corps por su gran trabajo, es un placer trabajar con ustedes.  

— LUCIA MARTINEZ, Site Manager at Windsor Heights

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Arts Corps COVID-19 Art Kit Project

Does a freshly sharpened pencil make you want to write? Did your childhood imagination ignite when dipping a brush into an untouched oval of watercolor paint? Do you still get excited about a colorful stick of chalk that hasn’t yet been worn down or broken?

Brand-new art supplies inspire a unique sense of joy and possibility, among children and adults alike. And it’s these feelings that Arts Corps had in mind when we launched our COVID-19 Art Kit Project this spring, which ultimately resulted in the distribution of 1,321 free art kits to families in South King County.

The spring quarter is always busy for Arts Corps programming- it’s short and condensed- so when schools were forced to shift to distance learning, our Director of Arts Education and  program managers had to quickly work to narrow the arts education opportunity gap in our region. With the need for children to have opportunities for creative expression greater than ever, we needed to find an immediate solution. Distributing art kits for students to enjoy at home with their families became a key strategy for Arts Integration Program Manager, Sabrina Chacon-Barajas. 

Given our limited resources, we chose to focus most intensively on our relationship with Highline Public Schools (HPS). This was not only because we have long and deep relationships with the communities in Highline, but also because Arts Corps is a major funnel for arts education in the district. In certain communities within the district, we are the only funnel of access to arts education.

For several years now, Arts Corps has partnered with the City of Burien to help remedy this inequity by providing integrative work in Burien elementary schools. When it was clear that we needed to find a way to engage students in arts learning remotely, Heleya de Barros, Director of Arts Education, immediately reached out to Gina Kalman, Cultural Arts Supervisor for the City of Burien, to inquire about reallocating funds toward an art kit project. Her office agreed, and plans were made to use funds to support the design, assembly, and distribution of art kits centered on the themes of STEAM (Science, Technology, Engineering, Arts, Math), community, gratitude, and healing.

Given the immense amounts of creativity and resourcefulness among Arts Corps’ teaching artists, the design aspect of the art kits was the easy part. The hard part was how to distribute the kits in a way that respected social distance guidelines and kept HPS families safe. Thankfully, the district connected us with Anne Baunach, Executive Director of Highline School Foundation, and with their help, we were able to distribute hundreds of art kits via their free meal sites in White Center, Burien, SeaTac, and Des Moines. Additionally, OST manager Olisa Enrico worked with our partners at Southwest Youth & Family Services and Mt. View Elementary to reach approximately 100 additional families.

The greatest number of kits were distributed to students at Hazel Valley Elementary (HVE), a school with which Arts Corps has worked very closely for several years, including on our Department of Education-funded Highline Creative Schools Initiative. With support from foundations who share our commitment to deepening family engagement in school communities (thereby increasing student sense of belonging), we were able to build an art kit for EVERY SINGLE STUDENT AT HVE. As a graduation present, 5th graders received extra special art supplies in their kits. Arts Corps Veteran Teaching Artist Carina del Rosario designed the kits and worked with HVE to have them passed out this week, the final week of HPS’ 2019-20 school year.

In the midst of a global pandemic and pronounced racial tension and injustice, we hope that these art kits provide a glimmer of hope and inspiration to the 1,321 families who received them. We’re so grateful to our teaching artists, funders, volunteers, school and community partners for helping make this innovative project happen so quickly. A special thanks to Laird Norton, Horton Foundation Fund, Discuren Foundation, 4Culture, Arts Fund, and the Ketcham Family for their support of this project.

Given the success of Arts Corps’ COVID-19 Art Kit Project this past spring, we hope to continue the project into the summer. Under the leadership of Meredith Arena, Arts Corps Veteran Teaching Artist, and Olisa Enrico, Arts Corps OST Manager, we plan to distribute approximately 300 additional art kits for summer learning at 4 sites  in partnership with Southwest Youth and Family Services. 

Arts Corps COVID-19 Art Kit Projects at a Glance:

  • Total art kits distributed = 1,321. 
  • Art kits distributed to 10 sites across South King County
  • Partnered with Highline School Foundation to distribute kits at meal sites in White Center, Burien, Des Moines
  • Each of the 475 students at Hazel Valley Elementary received art kits. 5th graders received special art kits to celebrate their graduation from elementary. Kits included a mixed media paper pad, micron pens, and either skin tone crayon set, maker set, or chalk set.
  • Teaching artists, classroom assistants, Arts Corps staff, and volunteers dedicated approximately 90 hours to construction of art kits 
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Accessing Creative Technology with LIT

“The really exciting thing about emerging tech is that it’s constantly changing, and that means that anybody could shape it. And it means that students of color could shape it.” – Netsanet Tjirongo, filmmaker, LIT teaching artist

This year I’ve had the privilege of documenting a revolutionary new program at Arts Corps, in partnership with Reel Grrls, called LIT!

Student holds his arms straight out to his sides while he is scanned by another person with a virtual 360 scanner.
Fabian is scanned so he can be turned into a virtual 360 model.

LIT, which stands for Learning Immersive Technology, engaged students from Big Picture High School in Virtual Reality game development, audio production, and 360 filmmaking in order to develop as artists, technology innovators, and to prepare them for 21st Century Careers in the emerging arts and tech industries. The students were able to explore all three types of technology with expert teaching artists and then dove into one area for their final projects, collaborating between departments as they would in a real-world production environment.

From behind: student and teaching artist look at a music project in Logic on a computer screen and talk about the composition.
Noel works with Matt to create original music in Logic.

When talking with Noel, one of the students focusing on music production, he showed me the four tracks he had created for another student, Fabian’s VR experience. He also mentioned that he really liked music production and that he wanted to continue coming to the studio to make music at Totem Star – one of our partner organizations that runs the recording studio that the students used during LIT – even after the program was over.

Chatting with Vanessa – whom you’ll meet in this short video – I learned that she not only produced music for her friend Faith’s 360 film, but also enjoyed the process so much that she produced music to pair with various paintings that she was creating for a school project on Chicano art murals and the Chicano movement to fight for the rights of farmworkers.

Yet another student, Azariah, recalled how she had been interested in writing screenplays since she was five years old, and through the LIT program, she learned how to professionally format a script. She now sees herself turning her vision into something that people would enjoy watching on screen.

Student helps an Arts Corps staff member put on the VR headset to view the experience.
Eli helps an Arts Corps staff member adjust the headset to view his VR experience.

It’s clear that the students in the program gained much more than the ability to model a virtual world, capture a 360 scene, or put sounds together to make a song. At the culmination, all of the students were finding applications for these new skills in their everyday lives. They were able to talk confidently about the technology, talk about their work, and represent themselves proudly at public presentations in front of friends, family, and industry experts.

This video is a window into these students’ experiences, and it is only a preview. The extended feature will be released later this year.

The extended version of this film will give more context to the landscape of immersive technology outside of just the LIT program. It will explore the possibilities of what the industry could look like if young people who have historically been denied access to emerging technology, are at the forefront of shaping its’ future.

-AMY L. PIÑON, Creative Media Producer

 

 

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A look into an arts integrated residency

In this residency, Arts Corps teaching artist Meredith Arena integrated monologue writing and performance with the Westward Expansion curriculum. Students learned basic performance skills and used their imagination to write from the perspective of someone in a different historical time, considering both the personal and political lives of their characters. Students considered many perspectives on Westward Expansion. The collaborating teachers challenged themselves to help students understand the perspectives that get ignored in this area of study, the Native Americans whose land was being stolen and the slaves who accompanied the white colonizers on their journey.

 

1 Students rehearse their monologues, gently closing their ears so they can focus on their tools of voice.
Students rehearse their monologues, gently closing their ears so they can focus on their tools of voice.
Students perform for one another and provide peer feedback on their performance and writing.
Students perform for one another and provide peer feedback on their performance and writing.
Students perform for one another and provide peer feedback on their performance and writing.
Students perform for one another and provide peer feedback on their performance and writing.
Students watch a performance and participate in group peer feedback.
Students watch a performance and participate in group peer feedback.
Class edits their monologue scripts together.
Class edits their monologue scripts together.
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Hunting for My Future: voices of youth at Spruce Street

The youth in Meredith Arena’s poetry class at Spruce Street produced a plethora of poetry last school year. Their collective words have been assembled into a book, which you can download and read below.

Arts Corps has a long-standing partnership with Spruce Street Inn, which provides safe residential services for youth who are in crisis. This class was taught by Meredith Arena and supported by Ludin Mejia.

Here is a sampling of the voices in the book:

Yeah he’s black, but he’s my EQUAL
Yeah he’s Mexican, but we’re the SAME
Yeah he’s Asian, but we’re one TOGETHER
WE ARE EQUAL
-Rich

Personal Growth

With no one to aspire to
and no one to lean on,
I created my own path,
free of hatred and con.
A stretched out journey
with no simple short cuts.
I soon realized every experience is an opportunity for learning.

-Arcadia

 

Read the entire book:

Spruce Street Poetry Book 2016-2017

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