Sponsor Spotlight: Marcus Lalario and Lil Woody’s

Tell us a little about Lil Woody’s and your story! How did you decide you wanted to open a restaurant? How did you get started?

I traveled a lot when I was working in music and I would always come across these cool little burger joints in the cities where we toured. Seattle had some good burger spots but nothing like what I was seeing on the road. So in 2011, we created our first Lil’ Woody’s on Capitol Hill with a lens on music, clothing, community and collaborations. We really just wanted to create a place where we wanted to eat that also uplifted our friends and neighbors who were doing creative things.

In our 12th year of business, we now have four burger joints in Seattle: Capitol Hill, White Center, Ballard and T-Mobile Park.

We also have a couple of new spots opening up, one on Microsoft Campus and one at SeaTac Airport. 

We’re so grateful that people like what we do and that the creative collaborations keep coming.

The Arts Corps’ burger name is “Rise & Bloom”. How did artists and arts education play into your own rising and blooming as a youth?

Kate Becker. The Redmond Firehouse. I was a young alterna-teen and that’s where I went to All Ages shows, got inspired and realized I wanted to work in music and other creative projects. I started out working at Easy Street Records as a teenager where I worked for almost a decade. I also interned for Matt Vaughn during the Gruntruck years, and worked for his parents doing stuff for a Vancouver Industrial band called Econline Crush. 

Then I started promoting nights at local clubs (Yo Son) and showcasing a bunch of local hip hop shows, did a stint managing local bands (Band of Horses, Sera Cahoone), started a record label (Under the Needle), opened some nightclubs (War Room) – worked hard, met a ton of creative people, learned a lot.

How does creativity come into play in your work?

Mostly around finding new people with whom to do creative things and collaborating with other creatives. There are always at least two points of view, two ways of looking at how to accomplish the same goal, and the outcome is often really different than I might expect going into it. So I try not to go into collaborations with restrictions or expectations – I stay open-minded and ready for a better idea to emerge out of the process, something better than what either of us might come up with on our own.

Creativity also comes into play when problem-solving. If I can get a real grasp on the issue we’re trying to solve, there is always a way to resolve it that serves everyone involved. I’ve learned not to force things, to take a deep breath and some space, and let the solution come. That’s all an essential part of the creative process too and it’s also good business.

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Faculty Spotlight: Maryem Weini

Arabic script in pencil with the English translation below, "Stay Strong for Yourself"

You started as a student in Print 4 Life, the screen printing program that Arts Corps T.A. Greg Thorton leads. Can you tell us about your experience in the program and how it impacted you?

My name is Maryem Weini and when I was around the age of 16 years old, I was a bad kiddo. It was then that I first met Claire, who worked at the King County juvenile detention center. I was on probation when we first met, and she told my probation officer that she was trying to help young youth like me fix their lives and get off probation. Claire shared with my probation officer that her husband Greg [Thorton] was starting a program called Print 4 Life. I wasn’t trying to do any of that around that time, but I had to so I could get off probation. As I started Print 4 Life, I met Greg and he introduced me to screen printing. Honestly, I was so confused on what I was supposed to be doing.

Time changed and I started to get more and more engaged in screen printing. I felt so much LOVE, SUPPORT, and MOTIVATION. I can honestly say that if I had never had this opportunity to feel so much LOVE from somebody, I wouldn’t be the same person I am today. During Print 4 Life, Greg and Claire showed and gave me SO MUCH!!! Print 4 Life impacted me by showing me a different path in life. I’ve grown so much and my art has also improved a lot. I LOVE making shirts now. Screen printing was an amazing experience which I needed in my life.

Now you’re a classroom assistant! What made you decide to take on this role and come back to a classroom?

I LOVE KIDS!!! Having this AMAZING spot in life where I get to call myself Miss Maryem, an after school visual arts teacher’s assistant, makes me get out of bed everyday to come see all these natural born artists. Coming back into a classroom is different now because I’m the teacher’s assistant, getting everything set up and ready to go. It’s great just sitting next to all the artists, and viewing their work makes me feel strong everyday because I’m sharing the strength with them.

What have been some challenges that you’ve faced as a faculty? What have been some rewarding moments? What is something you’re excited for?

To be honest, I haven’t really faced any challenges while working as a faculty member that I haven’t been able to overcome. One of my most rewarding moments is staying with Art Corps, from being introduced when I was a bad kiddo at the age of 16 to this strong motivated woman who’s 22 years old- it’s been a strong 7 years. What I’m most excited for is to actually become a visual arts teacher, not just the teacher’s assistant – not that I mind being an assistant, because this is giving me the foundation to actually become that teacher.

Arts Corps is kicking off a fundraising season we’re calling “Rise & Bloom.” It’s taking the place of a single annual gala that we called “Festa.”  What does the theme mean to you?

Rising up everyday to face challenges daily. While facing challenges in life – both now and later – people can carry motivation, success and ambition in a little or big way which will help them keep striving to become that flowery bloom.

How can we nurture young people so that they can RISE & BLOOM as their true self? What role do you think art education has in this nurturing?

By encouraging their young hearts, minds and acknowledging their success small and big. Arts nurturing their young minds gives them an avenue for self experience.

What are some of your own creative practices and current projects? How can people support you?

I love coloring, drawing and working on puzzles. A current project I’m working on is my second lesson plan for one of my visual art classes where I’m getting mentored by Greg. Also people can keep supporting me by just being great!!!!!!

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Staff Spotlight: Eris Eaton

Eris, you’ve been part of the Arts Corps community for a while in various ways! Tell us about your journey with the organization and what it was that made you come back?

Finding Arts Corps was a bit of a journey in and of itself. At the time, I was getting my degree in Positive Youth Development at Highline College. I wasn’t in the degree with the goal of starting non-profit work. The larger goal was to get my Master’s in library science, but I felt the degree was relevant and interesting, so I went for it. I was also 19 at the time, which was wild, being a youth and studying about… well, myself. The more I learned, the more I became invested and passionate about community work. 

In the second half of the program, you have to find a place to intern. They just kind of unleash you and say, “Reach out!! Do your best!!” I was so nervous and lost, I just started looking for places that focused on art and music, since those are things I personally enjoy. When I reached out to Arts Corps, they immediately responded with such interest and enthusiasm. I tend to believe I’m imposing on people a lot, but from the beginning, the folks at Arts Corps saw things in me that I had never thought of as valuable and that continues to be a big reason I keep coming back.

I learned one of my biggest life lessons during my time as an Arts Corps intern. When you’re young, there’s a lot of mystique around working, especially around being a “professional.” It’s like being an “adult,” you don’t really know what to expect, but there’s a lot of grandeur spun around it while growing up. What coming into Arts Corps taught me is that the world is just made up of a bunch of people trying their best to get stuff done. Whether you’re a CEO or in customer service, it’s not really any different. There’s no secret code or revelation; we’re all just people doing our best. 

When it came to staying on as a classroom assistant and teaching artist, or coming back to be a program manager, my reasons were always the same. Regardless of what I was learning about myself, what I wanted, or who I wanted to be, Arts Corps had my back. The folks here have always been there for me, cheering me on, and believing in me more than I believe in myself. And hey, they do awesome work. They’re giving something to the world that it really needs: A place to do art and feel loved. Not just to the youth, but to the staff, too. Every day when I come home, I find myself thinking “Wow, I’m so very blessed that my life led me to Arts Corps.”

How did your experiences at Arts Corps prepare you professionally? How did they connect to your journey outside the organization?

Being at Arts Corps taught me a lot about what work is involved in running a non-profit. But, honestly, I think the best thing it did was give me standards! Standards on how to treat each other, on how to uplift those we work with and for, and what it really means to be an “equitable” and “anti-racist” organization. The short time I was gone, I started to see very quickly that not everyone sees the world like Arts Corps does. I was taught here that honesty, bravery, accountability, love, and the desire to grow are the true pillars to being a “professional.” Outside of Arts Corps, I ran into a lot of places that seemed to believe being professional means keeping your head down and your heart closed. People think those systems exist for safety and comfort, but all it’s keeping safe is the system of power itself. Arts Corps taught me that being an “artist” (which is really just being “human”) is all about challenging those systems of power. 

What is something you are looking forward to in your new role as Program Manager?

I just really enjoy the logistics of it all. Someone reminded me we needed to figure out food for a class, and I immediately got excited to plan it. Making connections, providing folks with information, keeping everything together with duct tape and staples if you have to it’s all so satisfying when you know what you’re doing. I’m looking forward to learning more and more so I can confidently claim I know what I’m doing! Then I’ll be able to reach that most satisfying place, where even if I have 10 different projects to juggle, I know exactly what’s happening in each one, and can leap right into whatever needs to happen next.

Everyday though, I’m just excited to help people. As a kid, whenever I came up with a new answer to “What do you want to be when you grow up?” my parent’s follow-up was always “How does that help people?” It was drilled into me that what you do to make money should always help people somehow. So, unless I’m being of service to someone, I don’t really feel that I’m working at all. In that way, I’m looking forward to becoming more capable, so that everyone around me can think: “Whenever I need help, I know I can rely on Eris to be there for me.”

What are some of your personal creative practices? What do you like about them?

I like to enjoy a lot of different art forms! I draw, write, dance, video edit, and I recently began my journey in cosplay, which involves a lot of types of sewing and fabricating. I’ll be learning to craft armor with foam this year, for example. There’s little I feel I’ve mastered, but that’s alright, since art is about expression and enjoyment rather than perfection. I can be satisfied with things like sewing and video editing as long as I get to see my artistic vision become tangible. Then I can say I’ve learned something new.

The one thing I try to “perfect” is singing! Music has been in my life as early as I can remember, whether played by friends and family or just on the radio in the car, and singing has always been a part of that. You don’t need any special tools to do it, you just need to raise your voice and go for it! It’s something that’s incorporated throughout the day for me. It could be singing in the car, or while cleaning, or in the grocery store, or anywhere really. Breathing, being loud, and letting the world hear you, there’s nothing else really like it. Singing with others is also a really special experience, which I do mostly in the Level Up! Vocal Ensemble (LU!VE) which I help run in Seattle. These days I’m simply grabbing any performance opportunity I can find and have time for, so I can keep sharing that love for music with other people.

What opportunities and challenges do you see ahead for those of us who care deeply about art, young people, and community?

The main opportunity I’m thinking about these days is the potential to integrate nonprofits in with our local library systems more. Local libraries are nuclei of community, but I haven’t heard of any non-profit so far consistently partnering with them. I’d really like to see organizations turn to librarians to discuss how we can connect and deliver what our community members need. If more of us can walk hand-in-hand when it comes to programming, our net of supporters will become tighter-knit, and more and more people will be served and uplifted.

I find I can’t really speak on challenges, though. A challenge is just another thing to get done, right? I mean, sure, I could write a paragraph here about the fact arts education still isn’t properly funded, the need to restructure the education system to improve the lives of both teachers and students, the effect on youth of growing up in a world where privacy doesn’t exist, or the rise of puritan politics, but what would be changed by that? 

I simply choose to believe in my heart that there is a world where everyone has the opportunity and time to enjoy art. One where everyone loves each other and grows closer because of it. Where everyone values each other and what we have to say. If I work a little harder, and talk to more people, and spread the word, that world is going to exist, it’ll get a little closer. Will there be challenges? Probably. When those eventual challenges appear, we’ll just roll up our sleeves and climb over it. And then one day, on the other side of those walls, that world will become real.

It’s a new year! As we move into 2023, what are some things that you are holding onto or reaching toward?

Last year, my goal was to do everything!! I wanted to push myself to try things I’d never done before, take risks, and never say no. I grew a lot and found a lot of awesome opportunities. I definitely don’t want to let go of that mindset. At the same time, trying to manage everything is exhausting. So I’m learning, now that I’ve piled on so much, how to carefully set some things aside. In 2023, I want to keep up on pushing myself, but also to focus on learning how to pace myself for the many more years of exploration to come.

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Alum Spotlight: Xandra Yugto

Arts Corps alum Xandra Yugto sits in a pink dress.

What Arts Corps program were you involved in? What impact did the experience have on you?

I was involved in the Arts Liberation & Leadership Institute (ALLI). Being part of the ALLI cohort felt very freeing. I was able to express myself and I had the tools and guidance to do so. I’m forever grateful for the opportunity. The teaching artist, Adam Jabari, taught different photo techniques and challenged us to tell stories with intention. Additionally, I was part of a partnership Arts Corps had with Teaching Artists Guild that involved developing and facilitating virtual professional development for teaching artists. It gave me a space to teach about my passion for filmmaking and it’s how I started to pursue this passion. I even got to meet an actress who was watching the presentation that worked for one of my favorite directors — the very director that inspired me to take a chance with filmmaking — Alice Wu. Her film, “The Half of It,” is what inspired me to take a leap towards the film industry. 

Do you have a favorite memory from your time at Arts Corps?

My favorite memory from my time at Arts Corps was presenting my photos from the ALLI internship at the virtual showcase. I started out by introducing the whole showcase, and my heart was pounding. But I wanted to embrace this feeling and it made me realize how much I love to chase things that challenge me. When it was my turn to talk about my photos, it felt natural and it brought me joy to express the thinking behind my creative process. One notable photo I took is called, “Drowning w/ Flames.” I remember when my teaching artist Adam reacted to my photo and said, “Well done.” It is a photo that I am proud of, especially since it was chosen to be on one of the posters promoting the showcase.

You’ve continued your journey as an artist since being an Arts Corps student. What have been some challenges, moments of growth, and opportunities for exploration you’ve been able to encounter?

In 2020, I achieved my dream job of becoming a Production Assistant for the second season of the popular teen show, Hetero. It was a miniseries about queer teens trying to save their schools GSA. One week before filming started, the show was canceled. I was crushed, but since then, I am so thankful to say that I have had many more opportunities to learn and grow.

In 2021, I became a part of the Digital Production Lab at the Vera Project. This internship was dedicated to giving mostly BIPOC & LGBTQ+ youth artists the ability to be trained by industry professionals in the filmmaking and music community. In this program, I wrote, sang, and recorded a song called, “Two Girls in Love,” that was meant to give representation to the LGBTQ+ community, from my experience as a young queer person. In addition to that, I created a short film that looks into the struggle of feeling like I have to be the model minority as an Asian American and the struggle of accepting my own identity as a queer person.

My most recent internship was with Youth in Focus and I was part of the Creative Career Cohort. In this program we learned about uplifting our own voices and telling our own stories. I created a self-portrait named, “my garden” that highlighted my Filipino culture through a necklace and embraced different aspects of my identity. This program was dedicated to BIPOC and LGBTQ+ students, so I learned so much just from interacting with the other interns in my cohort. Additionally, we were given a curriculum from BIPOC teaching artists and it was inspirational to learn from people with similar experiences to my own. 

Lastly, I have been working for Ascendance Pole & Aerial Arts since May 2022. It is the only nonprofit pole studio in the region and the goal is to empower a diverse community through a safe artistic place. The energy and mission of the studio is what brought me to work there. I am part of the front desk team and I am in charge of social media. In our social media, I strive to post pictures of a wide variety of people and I create graphics that help bring awareness to what we do. We have programs for scholarships to help low-income prospective students take classes at our dance studio and we have community classes that are on a pay-what-you-can basis. This gives a wider variety of people the opportunity to engage in pole and aerial fitness and to build confidence.

I am dedicated to supporting and being a part of organizations that give BIPOC and LGBTQ+ youth like myself a voice. I have learned tons from these experiences, as I continue my art journey. 

Recently, you’ve been producing and working as cinematographer for “The Astute Observations of Samuel J.R. Wellington.” Tell us about it! What has the project been like?

I have spent over 70+ hours putting my passion into this project. There are so many twists and turns to a production that I would not have expected. It’s difficult to manage and communicate with a variety of people to get things done, but we just wrapped our final shoot and I couldn’t be more proud of my team. I wouldn’t trade the experience for the world. The project included interviewing people for our crew, watching auditions, getting gear, securing locations, and more. We are on to post production work, and we accomplished so much filming, huge learning lessons, understanding what we can fix, and the things that we can’t fix. I got to work with my good friend Ruby Lee who I had met in 2021 in an internship with the Vera Project. The last thing I told her when the internship ended was that I hoped we would work together some day and we did! It feels amazing to be part of something that I put my all into and to know that one day, in the near future, we will watch the finished product. 

Besides the film, what is something you are currently excited about?

Currently, I am working on a podcast at TeenTix. It is a medium that I haven’t explored before, so I am extremely excited to see the endless possibilities. Additionally, I would like to explore what it takes to be a pole instructor and I plan to find an apprenticeship program that will allow me to learn more. Another part of my pole dance future is my goal to be a part of a competition. I am excited to train as best as I can and build strength and eventually compete someday! Lastly, I am excited to go to college to study filmmaking. College has been something so terrifying for me, yet it is also something that motivates me to learn more. Since I am passionate about filmmaking, I believe that going to film school will be very beneficial and will bring me a lot of happy experiences.

How can people support your work?

People can support my work by checking out my website, booking me for photography & video work, following me on my socials, and donating to my Paypal to help me fund new projects and go to college! Please reach out to me anytime! I love to hear words of wisdom and support. 

Website with short films & art I have created: xandrayugto.com

Socials & Paypal: @xandrayugto 

Is there any other project or anything else you would like to share?

I am truly grateful for the opportunity to share my work. I never thought I would be here and it makes me super emotional to think that I was even asked to be spotlighted for this. Thank you so much to everyone who reads this through and for the opportunities brought to me. I am infinitely grateful.

Thank you for sharing your many talents with us, Xandra. We’re eagerly awaiting your next moves! Check out her photography work below:

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Faculty Spotlight: Divya Rajan

Teaching Artist Divya stands in front of a plain background with side lighting. She wears a red top and gold earrings.

This month, Arts Corps wants to celebrate teaching artist, Divya Rajan, and everything she has been doing in and out of the classroom!

As the world re-emerges from the pandemic’s lockdown, our faculty have been busy at work not only creating spaces for our youth to express themselves in, but also creating their own art.

As an Arts Corps teaching artist, Divya is currently working with our programs Best Start for Kids, Out of School Time, and Creative Schools, engaging students of all ages in theatre and storytelling. As a performer herself, Divya has been working in multiple projects. 

We’re grateful to Divya for sharing more about what she does and how she does it!

 

You were involved in various storytelling partnerships these past few months. Tell us them! What did you do? 

It all started with FESTA this year – that was my first performance for the year, as well as one in a very long time. 

“Lost and Found” happened soon after. Organized by the Indian Embassy Spouses Collective, this was an exhibition of personal objects and the stories behind them. My audio story of a broken comb that I have been holding close for fifteen years now was one of the featured exhibits.

7×7 by Griot Girlz and Finding Trails by Penguin Productions gave me the opportunity to create and collaborate on devised, immersive and site-specific pieces.

With Pratidhwani’s Two Minutes of Your Time themed Coming Home, I came home to the stage, lights and a full-house of live audience. And, I also shot for my first commercial this year.

What made you decide to become a teaching artist?

Call it accidental or call it serendipity, but that is really how I became a teaching artist. I taught my first class as a teaching artist in 2011. I took it up because it felt like a fun thing to be a storyteller to visit schools and play games with kids. However, what I saw, experienced, learned, and received from kids impacted me forever.

I didn’t quite have access to art education as a child. Art was always that “extra-curricular” activity. It was exotic for people to call me creative and artistic; and yet life always boiled down to how much I scored in Math and Science. I also grew up being told that all those who pursue arts and humanities are those who are incapable of pursuing important faculties i.e. science or math.

I wanted to pursue architecture as a child. I wanted to design spaces. When a child is passionate about something, as adults we have the choice to create an environment for this passion to flourish or for this passion to be destroyed. I was that child whose passion couldn’t flourish in the environment that I was in.

From starting off as an accidental teaching artist, today I am a teaching artist by choice because I want to do my small bit to create an environment for children’s passions to flourish. Being a teaching artist is the opportunity life has given me to be that person I wish I had in my life while growing up.

How do you approach a new project or a piece that you are creating? Do you have certain processes you like to undergo?

Devising is my thing. To put it in simple words, I like to intuitively start with multiple creative exercises and allow for narratives to emerge. Once there is something I have hit upon, I start to deliberate and build a frame-work around it.

At a deeper level my process is a lot about confronting my identity, asking questions that matter of myself, embracing my vulnerability and seeking my truth. I weave this into the formal trainings I have had in theatre and what I end up creating is an integrated piece of performance art.

What is your favorite part about creating your art?

Surprises! Every time I create art, it is about confronting my uncertainties. It is chaotic. But, when the work is done, it is extremely rewarding. And, I find myself emerging a little more resilient than before.

What opportunities and challenges do you see ahead for those of us who care deeply about art, young people, and community?

Knowledge thrives when it has an application. The various reputations that art has earned over the years, in my opinion is due to the gap between the art-form and its application. Art has existed for as long as humanity has. So, it is important for us as humans to embrace the artists within ourselves. Bridging this gap between art for the sake of art; and understanding its deeper purpose and impact is a big opportunity as well as responsibility I see as an artist. 

However, although many have trodden down this path, it continues to remain an arduous task. It is going to take unlearning several generations worth of colonized perspectives, oppressive systems of power, regressive mindsets for us to get there. And, arts as a field continues to remain under-funded.

There is work to be done, and we must keep doing what we are doing.

Do you have any upcoming projects?

I am in conversation with people about potential collaborations. Hopefully, will have something brewing soon 😊

Thank you for sharing your artistry with us, Divya. We can’t wait to see what you do next!

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Volunteer Spotlight: Susan Brown

Volunteer Susan Brown atop of Table Mountain in South Africa, wearing a sunhat and smiling at the camera

This month, Arts Corps would like to recognize our long-time friend and volunteer, Susan Brown! 

From building art kits for students to providing admin support to prepping for Festa, our incredible volunteers gift their time in order to support our youth and make things happen. Susan has been volunteering with Arts Corps for around 7 years! Susan is an embroiderer, as well as a quilter and a sewer. She is a lifetime volunteer, supporting various organizations in our community. After the passing of her late husband 10 year ago, Susan became very active in our local Pancreatic Cancer affiliate and volunteers at Virginia Mason Hospital in various capacities.

We had the pleasure of speaking with Susan, to learn a little more about her Arts Corps experience!
 

What made you decide to volunteer at Arts Corps?  

A former Board President, Sara Lawson, was a friend with whom I had worked with in Alaska, thought I might be interested. Turned out I was. Arts Corps is a great place to volunteer, and I am always so very happy when you call with some project that needs a helping hand. Thank you for giving me the opportunity. 

Was arts education critical to your development as a young person?

Not art, I was very active in music, and a number of community organizations though. My interests have changed now, and my embroidery machine has become my new place where my art takes place, and I am learning to quilt, not as easy as it would seem I have discovered.

What is one of your favorite memories at Arts Corps?

Listening to the Drum Line at Festa. And just being around the talent in the room. It’s amazing.

What opportunities and challenges do you see ahead for those of us who care deeply about art, young people, and community? 

I think probably funding, always a problem, will continue to challenge, but will also certainly offer opportunities to get even more creative. I know that you are all so very dedicated and that you will continue to work to make it happen. 

Is there an artist or an art piece that has brought you healing or joy recently? 

My home is filled with art, most of it by people I know and it continues to give me joy. Also many photographs of my travels that make me smile. 

Thank you for all the time and support you provide Arts Corps, Susan!

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