Meet Our Performers for Thrive

At our Thrive fundraiser, we are celebrating the power of creativity and community. One of the ways we are doing that is through a line-up of inspiring performances of both students and local artists!

Learn more about each of our performers and the power they find in art. 

 

All City Choir

Teaching Artist Erica in focus seated in a circle of young adults, singing and gesturing with her hand

All City Choir is led by seasoned Teaching Artist Erica Merritt!

Erica Merritt is a singer songwriter, vocal coach, and master teaching artist. She is also a social and human services specialist with more than 25 years of experience, as an artist as well as a worker in youth and young adult development in the greater King County region. She began teaching choir in 1998, and has continued to teach voice, songwriting and choir with organizations such as Langston Hughes, Arts Corps, MoPOP, The Residency with Macklemore, and The Creative Advantage. 

Erica’s work focuses on the belief that art changes the lives of those who experience its transformative and healing powers. Her teaching style includes laughter, critical thinking, self-reflection, full transparency and fosters a growth mind-set. Her student-centered pedagogy creates a learning space where the student becomes the teacher.

She has enjoyed the amazing opportunity to combine her passions of social well-being and music through the art of teaching. Erica takes great pleasure in supporting her students in becoming the best version of themselves.

What is All City Choir and how did it come to be?
All City Choir is comprised of youth ages 16 to 25 from all across Seattle King County area. They are joined together by their love of singing and creating beautiful music. We are not just choir, but a musical family that cheer each other on and keep giving each other reasons to smile. It is a safe space where young creatives can come and express their selves through music and song.

What are some of the practices you use in the choir room to help students thrive?
Self-empowerment is key, so I’m constantly reminding everyone that they are as great as they allow themselves to be, and it all starts with a growth mindset: believing that you can and believing that you will. I constantly challenge the limits that the students put upon themselves and raise the bar higher, and then watch them surpass it.

What has it been like getting ready for this performance?  
It has been an invigorating experience. We have about six new members that joined within the last month and we are all trying to get to know each other and each other’s voices while blending in perfect harmony, so I would say intense at times but lots of fun.

How does music relate to the building of a more equitable world?
Music is universal and a great example equity, as every voice is welcomed and valued. This creates a sense of belonging and inclusiveness.

 

Christian Paige

Christian Paige, a young black man wearing a salmon button up, holding up a mic and smiling in front of a seated crowd

Christian Paige is an Emmy nominated spoken word poet, a professional speaker and educator who speaks at schools, conferences, and events across the United States. Paige has spoken to hundreds of thousands of people and loves to work with young people who are committed to doing good in the world. Paige is a first-generation college graduate, an Actsix Scholar and is passionate about community, anti-racism, equity, and empowerment. He has spent his entire career in and around education advocating for historically marginalized populations and working to create equitable environments where young people can thrive.

He provides motivation, inspiration, encouragement and truth through school assemblies, professional development sessions, conference keynotes, community gatherings, and poetry performances. 

Paige’s work has appeared on national stages, on television, and in museum exhibits. Paige is one of the top youth speakers in the Pacific Northwest and is in demand nationally however, Paige believes there is no place like home. He was born and raised in Tacoma, Washington where he currently lives and serves as The Tacoma Poet Laureate. He believes that our voice is our most powerful tool and encourages others to use their voice to advocate, interrupt, empower, and teach. Christian often uses one sentence to summarize himself. He says, “I am just a somebody, who wants community to work for everybody”.

What does “Thrive” mean to you?
Thriving is having your needs met and as a result, living freely and authentically. It is being myself. Absent of the gaze of others, or the anxiety and pressures of “supposed to”.

How did you get to be a spoken word artist?
I’ve always loved orators and storytellers. As a young person I was introduced to speakers, revolutionaries, Harlem renaissance poets, and other writers whose work changed the world around them. Seeing how their pens and voices shaped their communities inspired me to do the same.

To you, how do creative practices and spaces relate to the building of a more equitable world?
Stories are essential to the fabric of our culture. Art is a language of authenticity. When people share their art and their story with the world, it dispels myths and stereotypes that are so pervasive. Art is essential for an equitable world and is a medium for understanding.

 

Nailah “Oni” Bulley

Nailah Bulley, a black woman with red twists, as she dances whipping her head back, her hair in the air

Nailah was born in the depths of a creative family, she grew up eating, sleeping and breathing art. She inherited drumming and singing from her father and dancing and business from her mother. Nailah has been dancing professionally since the age of five.

Her focused dance styles are West African and hip-hop dance. Nailah has had the opportunity to be a part of many companies such ADEFUA (30 years), KUTT ‘N’ Up ENT (20 years), Gansango dance and music (11 years), Kouyate Arts (8 years), Nu Black Arts West, Dance This, Broadway bound, KODE RED dance team (EWU) (5 years) and LADII ENTOURAJ. She also created my own dance group by the name of MYND KUNTROL (10 years).

Nailah has a unique style of choreography that she produces and shares with her community. Nailah has been given many opportunities to teach in a variety of places such as weekly community classes, Seattle Center (Festival Sundiata and Folklife festival), Cleveland High School Dance team (2016,2018, &2019 Bubbling Brown Sugar winners) school demonstrations, professional development seminars, and community engagements. She is also the funder of Oni Arts Collective LLC, a way of merging Bulley’s passion for social service and dance.

What does “Thrive” mean to you?
Thrive means to grow through adversity, shinning light in times that we’re made for failure, pushing limits towards success.

Who is somebody who has inspired and nurtured you in your journey as a dancer?

My sister, Chisula Chambers’s always has been a supportive outlet through my many life adventures, especially geared towards dance always helping me thrive, and see my self worth. 

My grandmother, Alyce Gloria Harris who always boosted my self confidence and gave me motivation to use my kindness and passions to create. 

To you, how do creative practices and spaces relate to the building of a more equitable world?

Creative spaces give people the ability to express themselves and be themselves, without these spaces people would never truly know who they are. If there were more spaces to be creative, there would be less world confusion, more leaders and less worry. Education happens in these spaces. For when you create and share with others, you are more understood, and then all the ism’s have the potential to fall off.

 

 

Our Thrive fundraiser is happening on Saturday, March 15, 6:00-9:00pm at WOW Gallery. You can buy tickets here. 

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Community Spotlight: WOW Gallery

"Wonder of Women Gallery" in a serif white font inside a black circle, under a white crown.

 

This year, we are hosting our fundraising dinner Thrive at the beautiful WOW Gallery! In anticipation, we asked their team to share a little more about the space and its story:

Not only is WOW Gallery a beautiful event space, but it is also an art exhibit and a healing experience for the Black community. Can you tell us a little about the story behind WOW? How did it come to be?
 
WOW Gallery was born from a divine calling to create a sacred space where Black women, girls, and people can heal, be inspired, and find liberation through the power of storytelling and art. As an extension of Wonder of Women International, WOW Gallery is more than a gallery—it is a movement dedicated to inspiring Black women and girls to find their voice, stand in their truth, and celebrate their wonder by telling their story.

It is a sanctuary where Black people can see themselves reflected in a space of power, beauty, and affirmation. WOW Gallery is a living testament to our stories, struggles, and triumphs—a dedicated space that fosters healing, joy, and the reclamation of our collective narrative.
 

Why was art such a central piece of your vision?
 
Art is a powerful medium for healing, education, ancestry, and liberation. It allows us to reclaim narratives, express our truth, and leave a legacy that empowers and inspires generations. At WOW Gallery, art is not just about aesthetics—it is a tool for transformation.
 
The vision of Wonder of Women International is deeply rooted in storytelling, and art is one of the most profound ways to tell our stories. It ensures our voices will never be silenced.
 

The exhibit on display is Dear Sista, I See You by Veronica Very and Hiawatha D. What are some Black artists or pieces that inspired you in the making of the exhibit and the space?
 
The Dear Sista, I See You exhibit is deeply influenced by the rich tapestry of Black artistry and storytelling. Hiawatha D., known for his vibrant and evocative portraits, draws inspiration from a lineage of Black artists who have celebrated the resilience, power, and beauty of Black women.
 
We are especially inspired by iconic local Black women whose names may not be widely known but whose impact is undeniable—educator and poet Dr. Mona Lake Jones, entrepreneur and activist DeCharlene Williams, and the late Dr. Maxine Mimms, founder of Evergreen State College’s Tacoma campus. Our intention is to uplift the unsung sheroes whose stories deserve to be recognized and celebrated in community. Dear Sista, I See You is creating sacred space for those conversations and celebrations to take place.

 
What are some events that you host in the space, and how can people get involved?
 
WOW Gallery is more than an art space—it is a movement, a living and breathing experience of Black storytelling, truth-telling, and community healing. Our events center, affirm, and elevate Black women, girls, and people. We host storytelling circles, healing dialogues, artist talks, and transformative gatherings that foster connection, self-discovery, and liberation.
 
One of our signature experiences, The WOW Experience, invites guests into an immersive encounter with art, culture, and the deep truths of Black love and existence.
 
Community members can get involved by visiting the gallery, attending or hosting events, and supporting the mission of Wonder of Women International. This work is sustained by those who believe in the power of Black women and girls finding their voice, standing in their truth, and celebrating their wonder. Those who feel called to be part of this movement can also contribute through sponsorship, collaboration, or simply by showing up and standing in solidarity.

 
What is one of your favorite memories that you’ve created in the space thus far?
 
One of the most profound moments at WOW Gallery was a multigenerational storytelling gathering, where Black women, girls, and elders sat in a sacred circle, sharing wisdom, laughter, and tears. In this space, Black girls were held and affirmed by the voices of those who came before them, and elders were given the honor of witnessing their legacy live on.
 
It was a moment where the mission of Wonder of Women International came to life—where voices were found, truths were spoken, and wonder was celebrated.
 
There is always an unspoken understanding in the room that this space is more than an art gallery. It is an altar, a sanctuary, a homecoming for every Black woman, girl, and person who has ever longed to be seen, heard, and held in love. These are the moments that define WOW Gallery—where healing happens in real time, and the stories of Black people are honored as sacred, significant, and sovereign.
 

Is there anything else you’d like to share?
 
WOW Gallery is more than an art space—it is an uprising, a reclamation, a revolution. It is a love letter to Black humanity, inscribed in bold strokes, vibrant colors, and the resounding echoes of our ancestors.
 
This is a sacred offering to the Black community, rooted in love, light, liberation, and legacy. A sanctuary where our truth is honored, our stories are sacred, and our presence is power.
 
For those seeking connection, healing, and empowerment—this space was created for you, by you, because of you. Come and center yourself in the hope, healing, and harmony of Black Love. Stand in the unwavering truth that Black women, girls, and people deserve to be seen, celebrated, and centered in spaces that honor our divinity, our brilliance, and the wisdom of our wonder.

 

Thrive is happening on March 15, 6:00-9:00pm. We hope you are able to join us to experience WOW Gallery for yourself!

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The Artist as Prophet by Christa Mazzone Palmberg

When I arrived in Seattle fresh out of graduate school and started interviewing for nonprofit jobs, many people were confused. Why would a person with a Master of Divinity degree- who studied the Bible and theology and Hebrew- be interested in jobs related to social justice? How would my religious training in any way prepare me for leadership in the nonprofit world? More specific to my interest in working at Arts Corps- what is the relationship between social justice, faith, and the arts?

In some ways, these are fair questions. Many Christians in this country have either completely separated their personal faith from public life, seeing no connection between the two, or their faith has been co-opted by the Religious Right; their identity as Christians has become more influenced by cultural conservatism than by theological beliefs. (For a poignant reflection on this new brand of “Fox Evangelicalism,” read this NYT opinion piece.)

But while I understand how someone might question the relationship between social justice, faith, and the arts, to me it is clear. The role of the artist and the role of the prophet is one and the same- a critic of injustice and a harbinger of hope. In his classic book, The Prophetic Imagination, biblical scholar Walter Brueggemann writes that the tactics of the prophet include both “criticizing” and “energizing”. The prophet is called to publicly critique societal structures that dehumanize while also providing an energizing message that envisions a new reality grounded in love and justice. According to Brueggemann, prophets help us make connections between the world as it is and the world as it should be.

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Arts Corps teaching artist, Kalei

Singer Nina Simone once said, “An artist’s duty, as far as I’m concerned, is to reflect the times.” Art can penetrate our indifference and move us to empathy and action in a way that news articles and lectures simply can’t. Without literature, poetry and painting, how would we cultivate the imagination necessary to envision a better world? Without music and dance, where would we find the strength and joy to keep going when our souls get weary?

James Baldwin took it further and said that the role of the artist is to disturb the peace. This was definitely true of the biblical prophets. Jeremiah, a prophet in the Hebrew Bible, called out false prophets for claiming, “‘Peace, peace’, when there is no peace.” Jeremiah could not stand idly by while the religious leaders of his day condoned the injustices of his people and told them everything would be alright; that there would be no consequences for their behavior.   

Dancers from OTS Arts Manager, Cheryl Delostrinos' class
Dancers from OTS Arts Manager, Cheryl Delostrinos’ class

The prophetic role of the artist has never been so apparent to me as it was on a hot Saturday evening in July at Arts Corps’ community fundraiser, Art & Sol. Much of the art on display provided a fierce critique of some of the issues our nation faces- from our deepening epidemic of gun violence to the continual targeting of young black men by our police. At the same time, the beauty, joy, and hope elicited by the artists was truly inspiring (and brought tears to my eyes).

The program began with a powerful performance by young dancers under the direction of Arts Corps’ OST Arts Manager and co-founder of the AU Collective, Cheryl Delostrinos. The grace, strength, and flexibility of these beautiful young women awed all who were present. Dancing to a contemporary pop song, these young artists inspired audible oohs and aahs with the movement of their bodies.

Next up was Arts Corps alumna and outgoing board member, Carlynn Newhouse, who performed her poem, “The Sky is Falling.” Riffing off the folk character, Chicken Little, Carlynn gave a stinging critique of our nation’s historical and ongoing injustices, as well as a beautiful exhortation not to despair because, “What is the end of something if not the beginning?”

Midway through the program, master veteran teaching artist and Arts Corps’ Director of Creative Youth Development, Eduardo Mendonça, donned his guitar and contagious smile and provided us with a delightful reminder of our shared humanity and the universal language of music. His song, “O Pato”, (“Oh duck” in English), had audience members literally quacking in their seats.

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Director of Creative Youth Development, Eduardo Mendonça

Among the many other powerful works of art that left an impression on me that evening was a painting by Arts Corps teaching artist, Lester Pearson. Imbued with vivid color, the painting depicted two Black women radiating light and happiness. In a culture that too often dehumanizes women of color and portrays them only through caricatures and stereotypes, this piece conveyed their natural beauty and everyday joy; an honest and refreshing reflection of the world as it is.

The evening included too many notable works of art to describe them all in detail here, but I would be remiss not to mention the final performance of the evening by Kalei, an Arts Corps teaching artist who brings Hula Mai ‘Oe to Hazel Valley Elementary students. From the rapid movement of her hips to her gorgeous red attire to the interactive way she invited us into her culture, Kalei’s performance was stunning. It reminded me of the words of the late rabbi and civil rights activist, Abraham Heschel, who said, “Awareness of the Divine begins with wonder.” For Heschel, awe, wonder and radical amazement are the keys to authentic spirituality. All three were elicited in me last Saturday evening. I suspect all three were elicited in everyone who attended Art & Sol.

 

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Art & Sol lineup announced!

From current students, to staff members, teaching artists, and alumni, we’re super excited about our Arts Corps community of artists that will be performing at Art & Sol!

artsol-lineup-ig

 

Click here to get your tickets to Art & Sol now!

 
Cheryl Delostrinos featuring youth from Coyote Central
Photo by Andrew Imanaka
Photo by Andrew Imanaka

What brings us joy? What makes us feel beautiful? What makes us feel powerful? How do we celebrate ourselves? How do we celebrate each other?

Cheryl Delostrinos (Arts Corps OST Arts Manager and teaching artist) is honored to work with a brilliant group of young femme artists of color exploring the radical act of being unapologetically joyous.

Carlynn Newhouse

carlynnnewhouseCarlynn Newhouse is an African American poet, activist, actress, emcee, and performer. She holds the record for the only 3 time Youth Speaks Seattle Grand Slam Champion (2015, 2017, 2018) and competed in the Brave New Voices poetry festival in years 2015-2018. Carlynn has performed at well known venues such as Seattle Town Hall, Bumbershoot, the Kennedy Center, and others. Carlynn’s work has been featured in Crosscut, the Seattle Review of Books, and XQ Super School Live. She writes about love, loss, community, race, the Black Lives Matter movement, faith, mental health, gender, and the life experiences that made her who she is today. She believes poetry is a form of activism and tool for raising awareness in hopes of making the world a safer space.

Michaelson

michaelsonMichaelson is a 2 year alumni of The Residency program. With years of foundation building, this summer marks the release schedule for Michaelson’s first studio project “This Is Why”, which is being engineered by Jake Crocker, and is set to start releasing singles here very soon.

Shelby Handler

shelby handlerAt age 15, Shelby Handler performed at a poetry slam for the first time and upon finishing their piece, immediately ran off the stage. Since then, Shelby has been running back and forth from the stage and supporting the next generation of poets to take the mic. As a writer and performer, Shelby explores ritual, queerness and an endless search for home. Their work has been featured in anthologies, public buses, literary journals and stages across the country. Shelby is honored to call Youth Speaks Seattle one of their forever poetry homes. They used to manage the Teen Leadership Program but henceforth, they shall assume the role of Awkward Fan Grrl at the slam series and if they’re lucky, a teaching artist for Arts Corps and YOUTH SPEAKS!

Amy Lp & Sabyu

Amy LpAmy is a multimedia artist, audio engineer, vocalist, and teaching artist who got started on her artistic journey through Arts Corps’ All Access program 10 years ago. She is currently Arts Corps’ Media & Communications Manager, with the honor of being able to take photos and produce videos capturing the unique stories of young artists and changemakers. She is constantly inspired by the young artists she gets to work with and has recently started writing some fresh songs after a long hiatus.

Sabyu (aka Matt Sablan) is a musician, producer, songwriter, and teacher from the island of Saipan. His music is rooted in the Pacific Islands and Pacific Northwest. Sabyu is currently a classroom assistant with Arts Corps and has worked alongside Totem Star since the beginning of 2017.

Eduardo Mendonça

eduardo_mendonca15-copyEduardo has been with Arts Corps since its inception as a veteran master teaching artist and the current Director of Creative Youth Development. A native of Salvador, Bahia, Brazil, he is a musician, composer, arranger, and musical director, exploring the many and varied genres of Brazilian popular music.

Kalei

kaleiKalei’okalani (Kalei) is of Kanaka Maoli, Japanese, Chinese, and Black heritage and was born and raised in Wai’anae, O’ahu. She is the founding leader of Huraiti Mana, a Seattle-based Polynesian Dance Troupe where classes are infused with laughter, shared stories, and passionate work. Kalei has been dancing Ori Tahiti since she was six years old, finding herself in the fast beats of the ote’a and aparima; and in the slow beats of the ahuroa. She considers herself ha’api’i, a word of the Tahitian language meaning both to teach and to learn. As Kalei continues teaching, she learns and gains tenfold, the knowledge of her huraiti, her cultures, and her self. Kalei aspires to continue teaching, studying, and sharing the love of her people through Ori. She is an Arts Corps teaching artist, bringing Hula Mai `Oe to Hazel Valley Elementary students.

 

Just added!

Ebo Barton

eboEbo Barton is a Transgender and Non Binary, Black and Filipino poet and artist. Originally from Los Angeles, California, but really, the San Fernando Valley but no one ever knows where that is.  As a representative of Seattle, they’ve been on 4 National Slam Teams and participated at 3 Individual World Poetry Slams.  Their most notable poetry slam accolade is placing 5th in the world in 2016.  Ebo wrote and directed the award-winning play, Rising Up.  They and their work have been featured in Seattle Weekly, Seattle Gay News, Button Poetry and some other places.  Their work touches on political issues from a personal point of view and often is birthed from the struggles of living in the identities that they are. Ebo believes in the power of language and art as a tool for revolution.

 

Visual Artists

Diana Laurel Caramat (Creative Schools Program Manager)

Diana Laurel Caramat (MFA), an interdisciplinary professional Artist, practices her ‘post-studio’ lifestyle and form through D/ND/N—which is a flexing moniker and equation to develop beyond the limits of binary processes. Their projects play in the creative space where art transforms social intentions and lived experiences. With life anchored at Apex Belltown Co-op, she regularly consults on arts and culture through artist mindset problem solving and skilled arts facilitation.

Julie Sanchez (Fund Development Committee member)

“Unbound” a 24″ x 18″ Encaustic on panel. This piece is was inspired by the geothermal activity at Yellowstone National Park.

Website: www.EliasShawnStudio.com 

IG: @eliasshawnstudio

Lester Pearson (Teaching Artist)

Born and raised in South Seattle, Lester graduated from Franklin High School and then received his BA in visual Arts at Bowdoin College in Brunswick, Maine. He returned home to start honing a passion for helping and teaching young people who looked like him. Lester is now a Teaching Artist with Arts Corps at Southwest Interagency Academy; a Mentor for MBSK (My Brother/Sister Keeper) at Mercer Middle School; Freelance Artist (Graphic Design, Painting and Photography); Photography Apprentice with Flyright Productions; and Newly Hired Art and P. E. Teacher at St. Therese Catholic Academy. He is honored to be a part of the Arts Corps family! #makeArtanyway #eachONEteach1

Nate Herth (former Arts Corps Teaching Artist)

Nate Herth is an arts educator and visual artist who believes the process of art-making expands and informs our engagement with the world in critical, ever-changing, and ultimately positive modes. He facilitates playful, investigative, arts education in the Pacific Northwest and has worked with Arts Corps and the Creative Schools Initiative, the City of Seattle’s Creative Advantage, the Seattle Art Museum, Mo Pop, Gage Academy and the Seattle, Highline and Tacoma Public Schools. Nate takes inspiration from his surroundings: the volatile interaction of the built environment and the naturally occurring world is a collision of contrasting visual information that he reflects upon in his paintings, presentations, and collaborations with other artists.

Website: www.NateHerth.com

Mylen Huggins (Arts Corps Board member)

Hillary Moore (Grants Manager)

Greg Thornton (Teaching Artist)

 

Click here to get your tickets to Art & Sol now!

 

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